Description
This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222)
Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining
strings, with the support of the harpsichord, the vibraphone and other percussion.
Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and
the orchestra in different manners.
Through this osmosis and through the "tempo rubato" suggested several times, by the absence of metronomic
movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the
infinite spirals of beauty and love, outside of space and time..
The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage.
The orchestral parts are available from the publisher on rental.